![]() ![]() Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution. ![]() Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: ![]() Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. However, from this point there was less about the brain, less about water, as she recognized “a certain general slackening of letters and fame, owing to my writing nothing,” thus underscoring the link between water, the wet and fertile brain, and of swimming and diving to her creative power. In Volume Four of her diaries, covering the years 1931–1935, Woolf detailed trips to Italy, Ireland, Holland, Germany, and France-a much more free and sociable life made easier by the money she had earned. References to water were most numerous during the 1920s, at the height of Woolf's greatest creative period. Whether diving beneath the surface to develop an idea, likening the rhythm of writing to that of the sea, or describing her brain as variously damp, bubbling, boiling, or freshly flowing, Woolf found water imagery particularly well suited to depicting and understanding her creative process. This chapter highlights the numerous references in Woolf's oeuvre to swimming and diving as metaphors for writing. ![]()
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